Keen observation skills. That’s pretty much an essential quality for a writer, right? We observe setting. We observe atmosphere. We observe human nature. We observe conflict and emotion and irony. But boy, I’d be lousy as a crime scene witness. Detective: “Can you describe the perpetrator?” Me: “Um. I think it was a white guy.” […]
In the improv comedy show Whose Line Is It Anyway?, the comedians often perform a particular sketch, called “Moving People,” where they pull two audience members on stage. Two of the comedians act out a scene while the two audience members frantically try to pose them to match the dialogue. The comedians are as helpful […]
This week, I’m blogging on the Rocky Mountain Fiction Writers’ blog. Hop over there to read “Just-In-Time World Building” for tips on letting your story’s world unfold as your characters encounter it.
By Kelley Lindberg [I used Grammarly to grammar check this post, because most bots are boring, but bots that argue with you about grammar are disturbingly sexy.] At some point in just about every writing workshop or conference, someone reminds someone else that adverbs (those notorious “-ly” words) are the devil’s own tools and should […]
by Kelley Lindberg As humans, we often fall into ruts. We go to the same place for lunch more than we should admit. We read the same types of books and watch the same types of TV shows. We shop at the same stores and rotate through the same recipes for dinner every week. […]
by Kelley Lindberg Voice – it’s that elusive, yet all-important quality that makes your book uniquely yours. It’s how you observe and write about things. It’s the language you use. It’s the language your characters use. It’s the details that you choose to expound upon, the emotions you sketch upon the page, and the pacing […]